I explained how 'His golden locks' was for the retirement celebration for Sir Henry Lee, Queen Elizabeth I's champion at the Accession Day tilt games.
There is not a picture of us playing so here is a picture of me putting a new fret on my 7-course lute this morning. You tie the fret gut on a little down the neck, then burn the ends of the knot so they bunch up and get tighter, then slip the fret up to where it needs to go. As the neck widens towards the body the fret gets tighter, so that, theoretically, it doesn't slip around and go out of tune. I can do the upper frets OK, but have still not got the hang of tying the first fret (which doesn't have as far to slip up the neck) very tight. I think that luthier Michael Schreiner uses pliers, and though I am, as you see, willing to put an open flame next to my lute, I am strangely uneasy about wielding metal tools around it. Curious.
The matches, by the way, are from the house owned by American industrialist J.P. Morgan, which is where the memorial service in the last entry was held.
Here's what we sang at the cathedral:
Unquiet thoghts - John Dowland (1563-1626)
I saw my Lady weepe - Dowland
Come again - Dowland
So, so, leave off - Alfonso Ferrabosco the Younger (c.1575-1628)
Ancor che col partire (Lute solo) - Jean-Paul Paladin (d. 1566)
His golden locks - Dowland
In darknesse let me dwell - Dowland